{"id":2064,"date":"2025-04-10T09:11:45","date_gmt":"2025-04-10T07:11:45","guid":{"rendered":"https:\/\/www.toutsurfroment.fr\/VERSION4\/?p=2064"},"modified":"2025-04-10T11:59:32","modified_gmt":"2025-04-10T09:59:32","slug":"pour-un-oui-ou-pour-un-non-quand-labsurde-sinvite-a-jules-froment","status":"publish","type":"post","link":"https:\/\/www.toutsurfroment.fr\/VERSION4\/index.php\/2025\/04\/10\/pour-un-oui-ou-pour-un-non-quand-labsurde-sinvite-a-jules-froment\/","title":{"rendered":"\u00ab\u00a0Pour un oui ou pour un non\u00a0\u00bb : quand l\u2019absurde s\u2019invite \u00e0 Jules Froment"},"content":{"rendered":"\n
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Mardi 11 mars 2025, dans l\u2019amphith\u00e9\u00e2tre du lyc\u00e9e Jules Froment \u00e0 Aubenas, une repr\u00e9sentation de la pi\u00e8ce de th\u00e9\u00e2tre de l\u2019absurde Pour un oui ou pour un non<\/em> a \u00e9t\u00e9 interpr\u00e9t\u00e9e par deux com\u00e9diens professionnels. Un moment intense, entre tensions verbales et silences lourds de sens.<\/strong><\/p>\n\n\n\n

Cette repr\u00e9sentation s\u2019inscrivait dans le cadre des cours de fran\u00e7ais, avec pour objectif de d\u00e9couvrir concr\u00e8tement le th\u00e9\u00e2tre de l\u2019absurde, ce courant apparu au XXe si\u00e8cle, o\u00f9 les dialogues creux, les situations r\u00e9p\u00e9titives et l\u2019absurdit\u00e9 des relations humaines sont au c\u0153ur du propos.<\/p>\n\n\n\n

Dans Pour un oui ou pour un non<\/em>, de Nathalie Sarraute, deux personnages se retrouvent pour discuter\u2026 ou plut\u00f4t, pour r\u00e9gler leurs comptes. Tout commence par un \u00e9change banal, mais rapidement, le ton monte. \u00c0 cause d\u2019un mot, d\u2019une intonation mal per\u00e7ue, d\u2019un simple \u201cC\u2019est bien, \u00e7a\u201d, le dialogue d\u00e9g\u00e9n\u00e8re. Les deux amis se confrontent, s\u2019accusent, se blessent, sans jamais en venir aux mains : tout se joue dans la parole \u2014 ou dans le silence.<\/p>\n\n\n\n

Sur sc\u00e8ne, les deux com\u00e9diens font face au public. Ils sont l\u00e0, devant nous, et nous devenons presque les t\u00e9moins g\u00ean\u00e9s de leur dispute. La tension monte crescendo, rythm\u00e9e par les regards, les changements de ton, les silences pleins d\u2019ambigu\u00eft\u00e9. Et puis, brusquement, la pi\u00e8ce s\u2019arr\u00eate. Les deux personnages se figent, cessent de parler. La rupture est consomm\u00e9e.<\/p>\n\n\n\n

Ce qui frappe dans cette repr\u00e9sentation, c\u2019est la qualit\u00e9 du jeu d\u2019acteurs. Dans un espace aussi restreint, chaque geste, chaque mot compte. Les com\u00e9diens ont su transmettre une v\u00e9ritable intensit\u00e9. Leur capacit\u00e9 \u00e0 faire \u00e9voluer la relation entre les personnages, uniquement par le dialogue et les non-dits, est une v\u00e9ritable prouesse.<\/p>\n\n\n\n

La mise en sc\u00e8ne, volontairement \u00e9pur\u00e9e, a mis l\u2019accent sur l\u2019essentiel : le langage. Pas besoin de d\u00e9cor sophistiqu\u00e9 ni de lumi\u00e8re spectaculaire. Le vide a renforc\u00e9 le malaise, tout en laissant place \u00e0 l\u2019interpr\u00e9tation.<\/p>\n\n\n\n

C\u00f4t\u00e9 public, certains \u00e9l\u00e8ves ont r\u00e9agi avec surprise ou g\u00eane face aux \u00e9changes tendus, d\u2019autres ont \u00e9t\u00e9 impressionn\u00e9s par la capacit\u00e9 des com\u00e9diens \u00e0 transmettre autant d\u2019\u00e9motion \u00e0 travers si peu d\u2019action. C\u2019est justement l\u00e0 la force du th\u00e9\u00e2tre de l\u2019absurde : faire r\u00e9fl\u00e9chir, d\u00e9ranger parfois, mais surtout interroger le spectateur.<\/p>\n\n\n\n

En sortant, chacun avait sa propre lecture de la pi\u00e8ce. Un simple malentendu peut-il vraiment briser une amiti\u00e9 ? Le langage est-il un outil de communication\u2026 ou de s\u00e9paration ? Autant de questions laiss\u00e9es en suspens.<\/p>\n\n\n\n

Andy Degas, \u00e9l\u00e8ve de premi\u00e8re<\/p>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

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\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n

Et voici quelques t\u00e9moignages d’\u00e9l\u00e8ves<\/h3>\n\n\n\n

Quentin <\/strong>a trouv\u00e9 \u00ab\u00a0Le jeu d\u2019acteur plut\u00f4t bien, avec beaucoup d\u2019humour. M\u00eame si la mise en sc\u00e8ne s\u2019\u00e9loignait un peu de l\u2019original, j\u2019ai trouv\u00e9 l\u2019intrigue assez similaire \u00e0 celle de Moli\u00e8re\u00a0\u00bb.\u00a0<\/p>\n\n\n\n

Pour Lucas<\/strong>, \u00ab\u00a0la mise en sc\u00e8ne \u00e9tait tr\u00e8s bien. Les com\u00e9diens n\u2019avaient pas beaucoup de moyens et de place, mais ils ont, quand m\u00eame, bien assur\u00e9 leur repr\u00e9sentation\u00a0\u00bb.<\/p>\n\n\n\n

Zo\u00e9<\/strong> consid\u00e8re \u00ab\u00a0le fait d\u2019adapter la pi\u00e8ce de Moli\u00e8re \u00e0 la vie actuelle int\u00e9ressant\u00a0\u00bb.<\/p>\n\n\n\n

Faustin <\/strong>nous dit\u00a0: \u00ab\u00a0J\u2019ai trouv\u00e9 la mise en sc\u00e8ne de la pi\u00e8ce de Moli\u00e8re amusante. En effet, le fait qu\u2019ils l\u2019aient adapt\u00e9e pour la rendre plus moderne (smartphone et r\u00e9f\u00e9rences \u00e0 l\u2019actualit\u00e9). Certains rajouts \u00e9taient comiques. Par exemple, le moment o\u00f9 le faux m\u00e9decin essaie de parler en plusieurs langues pour expliquer ce qu\u2019est un m\u00e9dicament\u00a0\u00bb.\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"

Andy Degas, \u00e9l\u00e8ve de premi\u00e8re : Quand l\u2019absurde s\u2019invite \u00e0 Jules Froment…<\/p>\n","protected":false},"author":1,"featured_media":2067,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[35,36,1],"tags":[],"class_list":["post-2064","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-ecrits","category-non-classe"],"yoast_head":"\n\u00ab\u00a0Pour un oui ou pour un non\u00a0\u00bb : quand l\u2019absurde s\u2019invite \u00e0 Jules Froment - TSF<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.toutsurfroment.fr\/VERSION4\/index.php\/2025\/04\/10\/pour-un-oui-ou-pour-un-non-quand-labsurde-sinvite-a-jules-froment\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" 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